In 2009 I received a commission from opera singer Nika Leoni to write music for soprano with piano accompaniment based on Shakespeare's Sonnets. I was very excited to work on such a challenging project. My first task was to select four sonnets —116, 111, 56, 101 — that would contrast with one another, both thematically and emotionally. This choice helped me to compose more colorful and stylistically diverse music.
As a non-native English speaker, the special challenge of this comission was to work with Shakespeare’s original language, which I have always admired. I was also inspired by Nika Leoni’s voice and manner of performance style. My intention was to create music that would fit her artistry. The work was completed on October of 2011.
The first version of my String Quartet was completed in 2009. I returned to work on this piece after a long break, completing the final version in December 2011. The composition was inspired by a script for the film Soselo, written by Georgian film director Besarion Giorgobiani on the subject of the young Joseph Stalin. I was fortunate to witness much of the writing of the script in my apartment, where the director was staying during his visit in the United States. In this composition, I tried to express the transformation of young Soselo, a spiritual poet and literature teacher, into Joseph Stalin, Communist leader and evil dictator. The String Quartet is written in four movements:
First movement: lyrical, with an ostinato-like accompaniment that creates a sense of inner tension.
Second movement: rhythmical, with melodic structure based on Georgian folk music. It represents a mystical ritual where evil spirits are attacking Soselo.
Third movement: funeral of Soselo.
Fourth movement: a battle where Stalin accomplishes his aim and becomes the leader of Soviet Union. As the music progresses, it becomes more agitated. Towards the end, as Stalin commits his first crime, the era of his dictatorship begins, and the music reaches its climax.
This single movement composition was written in September of 2010. As a concert pianist myself, I was always interested in creating a substantial work for piano solo that would demonstrate the variety of technical possibilities of the instrument. This piece was composed in just one week, unusually fast for me. It reflects my personal response to life challenges, representing two contrasting characters that interact with each other in the process of musical development. I was interested in using elements of Georgian folk music in combination with the musical language of the classical-romantic tradition.
I dedicate this piano concerto to my wife, the amazing pianist Inga Kashakashvili. She is always an inspiration for my work, and she performs this piece tonight. The principal music material for the concerto is taken from the soundtrack of the documentary film MvM that I scored in 2009. MvM is about my home country, Georgia, its complicated political conflict, and war. I started work on the piano concerto in August 2011, and completed it in November of that year. The concerto consists of three movements, where the first and second are played without interruption. The first movement is fast and continuously rhythmical. The second is slower and lyrical. The third movement is again fast, and is inspired by elements of Georgian folk dance.